[PDF] Beyond Verse and Chorus: Experimental Formal Structure in Post-Millennial Rock Music
Beyond Verse and Chorus: Experimental Formal Structure in Post-Millennial Rock Music Bradley T Osborn
Date: 30 Sep 2011
Publisher: Proquest, Umi Dissertation Publishing
Language: English
Book Format: Paperback::288 pages
ISBN10: 1244582778
ISBN13: 9781244582774
File size: 57 Mb
Filename: beyond-verse-and-chorus-experimental-formal-structure-in-post-millennial-rock-music.pdf
Dimension: 189x 246x 15mm::517g
Beyond Verse and Chorus: Experimental Formal Structures in Post-Millennial Rock Music. View/ Open. 01 1.1 airbag intro.mp3 (765.9Kb) identifies a mode of thought I call the “Verse/Chorus Paradigm,” and then presents a concise rock historiography that casts certain artists and genres on either side of … Another year, another fine batch of experimental music. That will never change. This year, with four writers at the helm, we did our best to comb the sonic sea, churning up waves of earthly music Beyond Verse and Chorus: Experimental Formal Structures in Post-Millennial Rock Music Osborn, Brad ( 2010-06 ) Rock songs are generally considered formally simplistic, based around alternation of verse and chorus, the latter functioning as the song’s selling point—an easily identifiable advertisement for the song-as-commodity. Subverting the Verse–Chorus Paradigm: Terminally Climactic Forms in Recent Rock Music Brad Osborn Keywords: terminally climactic forms, post-millennial rock, experimental rock, Formenlehre, climax, Radiohead, Coheed and Cambria, Tool ABSTRACT This article defines and demonstrates a formal type I call “terminally climactic forms.” Brad Osborn is the author of Everything in Its Right Place (4.00 avg rating, 25 ratings, 6 reviews), Beyond Verse and Chorus (0.0 avg rating, 0 ratings, Antecedents of this formal process can be found in the music of Stravinsky and Stockhausen; an early example in rock can be found in the music of the Beach Boys. Brian Wilson’s ob-sessive recording techniques, as heard on the Smile Sessions and beyond, created hundreds of small, disparate modules of Beyond Verse and Chorus: Experimental Formal Structures in Post-Millennial Rock Music. Brad Osborn. Abstract. This dissertation explores the link between these post-millennial experimental rock genres and the experimental song forms used artists in those genres. pioneer of electronic rock music-went to art school rather than a conservatory or music school:experimental approach to music-1975: invents the concept of ambient music -music that "must be able to accommodate many levels of listening attention without enforcing one in particular: it must be as ignorable as it is interesting. Country Music. A Cultural and Stylistic History. New York, Oxford. Oxford University Press. Osborn, Bradley T. (2010). Beyond Verse and Chorus: Experimental Formal Structures in Post-Millennial Rock Music. PhD diss., University of Washington, (accessed 14.8.2011). Pastras, Phil (2001). Dead Man Blues. Jelly Roll Morton Way Out West. Beyond verse and chorus:experimental formal structures in post-millennial rock music. [Brad Osborn] Home. WorldCat Home About WorldCat Help. Search. Search for Library Items Search for Lists Search for Contacts Search for a Library. Create between artists who frequently use these formal structures and the specific post-millennial rock genres that develop alongside them. I will begin situating this music in relation to familiar examples of through-composition. [3] virtue of their through-composed formal narratives, the post-millennial rock compositions analyzed in this article and The Chariot. For more on math rock, math metal, and other post-millennial experimental rock genres, see Brad Osborn, “Beyond Verse and Chorus: Experimental Formal Structures in Post-Millennial Rock Music” (Ph.D. Dissertation, University of Washington, 2010).
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